Live At Knebworth, Blu ray (1990/2015)
A great addition to your music library. On sale now, and available from the Knebworth House Gift Shop.
Hailed as the greatest British concert ever…this Blu ray may prove that!
Eagle Rock Entertainment has released a Blu ray of a 1990 benefit concert titled Live At Knebworth. The event was filmed at the Knebworth House for the Nordoff-Robbins Music Therapy and The Brit School For Performing Arts. The performers include upper-echelon rock stars who have been recipients of the Nordoff-Robbins Silver Clef Award. From the beginning, it is apparent that the all-star collection of bands brought their “A” game to Knebworth. Tears For Fears kicks thing off with a three-song set with an expanded musical lineup. The group shines on the funky, soulful “Badman’s Song”. They deliver their mega-hit “Everybody Wants To Rule The World” to a receptive audience. Veteran rocker Cliff Richards injects some vintage rock and roll in his set. Phil Collins ascends to his elevated pop status. The moody strains of “In the Air Tonight” is complemented by a staged move to the drum kit. “Sussudio” delivers the funk, with a great brass section.
And the legends keep coming. Paul McCartney knocks out three Beatle songs (“Birthday”, “Hey Jude” and “Can’t Buy Me Love”) reminding everyone that The Fab Four cut their teeth as a bona fide live act. Then, a very good concert elevates to a great one. Eric Clapton performs two scintillating blues numbers, “Before You Accuse Me” and “Tearin’ Us Apart”. His band (augmented with singers, keyboards and second guitar) is stellar. His vocals are strong, as is his customary solos. He introduces Dire Straits and performs with them. Watching Knopfler and Clapton trade licks (Knopfler without a pick, Clapton with one) on “Solid Rock” is why fans attend concerts.
The MTV-defining “Money For Nothing” is terrific, despite the “cleaned up” lyrics in the second verse. Clapton and Knopfler actually stay onstage for Elton John’s two-song set. “Sacrifice” displays the vocal prowess of an eminent rock singer. Elton executes some gospel piano licks on “Sad Songs (Say So Much)”. Robert Plant injects some heavy metal attitude with his band (especially on “Tall Cool One”) and brings Led Zeppelin icon Jimmy Page on for two numbers. Watching them rip through “Wearing and Tearing” and the inimitable “Rock And Roll” puts the crowd into a frenzy. In the spirit of reunion, Genesis does an extended group of songs and a medley. Tony Banks’ eerie keyboards and Mike Rutherford’s fluid guitar showcase the post-Gabriel accessibility of this hit-producing band.
It seems impossible to contemplate a grand finish to Live At Knebworth, but that’s exactly what Pink Floyd is! After sunset, their artistic power and state-of-the-art sound system is awe inspiring. Even without Roger Waters (one of the concert’s minor blemishes), they resonate. As Richard Wright lays down the spacey intro to “Shine On You Crazy Diamond”, David Gilmour comes in with his sonically-enhanced guitar. With a quadruple female backup chorus and saxophone, the textual fullness of Pink Floyd is realized. Together with their spectacular light show, it’s unlikely any performer would want to follow this. The pyrotechnics (musical and stage) continue on “Run like Hell”. Big show…big finish! (Review: Robbie Gerson. ‘Audiophile Audition: April 2015)